Qubool Hai 15th July 2015 Written Episode

Scene 1:
Location: Graveyard
Sanam distributes food and stuff to the poor and the beggars, when suddenly the winds start blowing and sanam’s eyes fall obliviously on the graves of her parents, as she stands outsides the gates of the graveyard. She stands stunned, as she sees that both the names have the same nickname. She asks the gardener about the same, and he says that she must be new here, as everyone else here knows, that the graves stand as a symbol of love for all eternity and together, who lived together and died together, and not are just mere graves. he says that this is a pious place, where people come with the hope that they too get love like this, and hope that they too hear what their heart wants. she hears rapt witgh attention and then thanking him, walks towards the graves, oblivious that its her own parents’ graves. she stands in front of them, boggled and confused. She says that noone answered her questions till now, as she doesnt remember anything from the past, nor anyone told her, but she feels that her parents were never there with her, as had they been, she would have had atleast one memory with them. She adds that she feels today of all times, she feels like she talks to the parents, and she doesnt know whether people find true love or not, but juust wants to find out the difference between the right or wrong, as one decision of hers can spoil three lives. she removes the dead leaves from the graves, and cleans it up with her dupatta, and places red roses on them.

Scene 2:
Location: Ahil’s residence
When she comes back, she is with lots of bags, and sanam asks someone to help her, hollering for latif. ahil hears her and helps her, while she doesnt realise as her back is turned. when she turns around, she gets irritated seeing ahil helping him. he offers to leave the bags till the room. she rudely says that she doesnt need his help and shall manage on her own. she insists, while he is tensed. he says that very soon, he shall have all the answers, and asks her to be patient. she callously asks him to take all the time he needs to find the answers, as she doesnt have any question, nor does she need answers, and that she has given him the answer, as she is married once again to shaad and there’s no possibility of anything between them and its his miunderstanding. he is hurt. She leaves. he turns to the lord, saying that there can be misunderstandings but the destiny written by the lord for them, cant be wrong, and that a miracle shall set everything straight. he is tensed and worried, as he leaves. meanwhile, sanam sees him going, from behind the curtain, and thinks that things are worsening. She thinks that she is so tensed that she cant wait till tomorrow, as her heart beats for ahil, and for this sin, she cant risk her marriage with shaad, and decides to do something about it today itself.

Meanwhile, in a dark room, the new bride continues her witchcraft, and does black magic, when she is interrupted by a call from shashi, who is getting impatient. she asks shashi to wait, as its isnt an easy task, particularly so in the pious month of ramzaan. Shashi says that she doesnt care, and wants the work to be done. The new bride asks her to wait. She says that its easy for her to say, and difficult for her, as she has already called her men from across the borders, for the work. she says that this is the last chance for her to kill shaad. the new bride says that she shall do this, even if she has to defeat time, and that shaad’s destruction ensures parting of sanam and ahil, and she will do anything that shall get him that.

Scene 3:
Location: Undisclosed location.
In an isolated road, a terrorists get inside the box, to be smuggled across bordres, indiscreetly, helped by fellow terrorists. Murtaza claims that now he shall be seen in India, and putting an oxygen mask, he gerts inside the box. the box is then loaded into the truck.


Scene 4:
Location: Ahil’s residence
Shaad asks the doctor when would the injection come, on the call. The doctor says that it shall arrive in a couple of days. Ahil asks if it will work. the doctor tells them that the injection shall bring the patient to a state of stability, that ensures that she maybe able to sustain any trauma or shock. he ensures that this is a heavy dose injection, and cant be sent without any Id proof, and asks for a photo ID for the delivery boy to give it to him only, and asks ahil to personally receive the parcel. ahil complies. After the call, ahil is relieved that finally sanam shall return to him. Shaad tells ahil that love has much power, and that finally the time has come, that they can tell sanam the entire truth. ahil and shaad stand hopeful, oblivious that the new bride is watching them from behind the curtain. She thinks that the truth shall be told to sanam, only when she gets that injection, as she wont let it reach their hands, whatever she has to do because of it.

Scene 5:
Location: Shashi’s residence
Nazia wakes up with the alarm. Meanwhile, in a chamber, shashi gets all her men together, that finally the time has come, when they shall attack India so violently that they shall never be able to recover, and shall annihilate india completely. they get down to planning, oblivious that nazia is progressing towards that room boggled. As the doorknob turns, shashi becomes conscious and immediately claears everything up. Nazia comes inside and turns on the lights, and finds shashi in the old avatar, telling them that all the instructions are delivered and planning done. Nazia tells that she didnt want to intrude. Shashi more than welcomes her to join theem too, but she says that she has to prepare for sehri. She begins to leave, and shashi is relieved. just then, one of the terrorists accidentally drops the gun, and picks it up, just in time, when nazia turns hearing the sound. She asks what fell.

Later, while shashi is eating away non-veg, nazia drops in and she stuffs the plate away so that it isnt seen, and then greets nazia politely, who comes to tell her of the invitation for eid, that ahil has extended to them, and they have to attend. Shashi happily complies. Nazia turns to go, but then turns again, to find chicken shred stuck in shashi’s lip. She is boggled, and pulls it, and shows her whats it. shashi pretends to be boggled, when saif comes in taking the blame, while shashi is so thankful of him. he says that he couldnt have sehri, and hence didnt keep roza. nazia asks how did it come on shashi’s lip. he says that he knew that she would be angry to know that he didnt keep roza, hence was eating in hiding, when she saw him. He says that he was just jesting around, and that caused it. nazia gets angry at saif. shashi is unable to believe what a dumb girl nazia is. Nazia continues to reprimand, while saif apologises. Shashi asks her to let be, as he has had his share of scolding. She sends her off, to prepare for the feast. nazia leaves. saif says that this is the last time she shall be saved because of him. Shashi tells saif that once she puts shaad to rest, she shall take care of nazia, as nazia not only will take care of ahil and the family, but shall also assist them in their motive, of destroying India, and spoiling all hopes of any friendship ever between India and Pakistan. Shashi is confident, while saif is tensed. She says that she has played her winning stroke this time. the screen freezes on her face.

Precap: At the dining table, sanam gives shaad a package, and ahil too gets curious. Shaad asks whats this, and sanam asks him to open it himself. he does and finds tickets. gazalla and latif asks whats this. shaad says that they are two tickets to Pakistan. Ahil is thoroughly shocked. later, while shaad is talking to ahil, sanam springs up, surprising them. She asks shaad if he has made his plans to come along, as she has decided and isnt changing her decision, as she has her bags packed already. Ahil asks her if she wants to go, and if she does, then she can. sanam walks away from them in a huff, while both of them eye her. Shashi and Sanam inform about time change from 9:30pm to 7:30pm in their villain style.

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